This 8-track album is about how ancient civilization, present humans, and our future selves are one and the same. And how this knowledge acts as a catalyst to new mental-spiritual territory. The music is deeper than in his prior albums and tells a complete story, from beginning to end. It's a journey that will take the listener on a psychedelic,
This 8-track album is about how ancient civilization, present humans, and our future selves are one and the same. And how this knowledge acts as a catalyst to new mental-spiritual territory. The music is deeper than in his prior albums and tells a complete story, from beginning to end. It's a journey that will take the listener on a psychedelic, paleo-futuristic ride. Sonically it resides in a non-place, a metal jungle, a Balkanic spaceship, a watery core. Besides 3 female vocalists featured on the album, all other sounds are direct from Uji’s imagination. Nyaruach from Sudan sings in Quemaquema and acts as a taunt female counterpoint to Uji’s deep tribal voice. Zola Dubnikova harmonizes with Uji as if she were a long distant lover from a past life. Kristine Barrett belts out Icelandic and Balkanic inspired vocals, the great mother landing on the mothership. Uji sings in a majority of the tracks, using his non-verbal made-up language to inspire imaginary tribes and direct vibrational communication.
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MITO 3:250:00/3:25
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OROPO 4:330:00/4:33
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TRUENATRUENA 4:320:00/4:32
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QUEMAQUEMA 4:150:00/4:15
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KINTO 3:460:00/3:46
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LUNAY 3:070:00/3:07
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FLECHAS 3:290:00/3:29
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SIRIOS 5:100:00/5:10